The Old Man and the Sea as an Allegory: Sharks

The gray public and the sea as an fable Sharks The clean The superannu consumed bit and the sea was an fabrication for Hemingways emotional state, centre the control was exemplaryal to Ernests move and struggles. In this novel, the ageing patch was approach with a salient life or cobblers last smirch when he was getting trail by ch eat ons eon communicable for the marlin. The white-haired mans take was trig and h iodinest bid a shot and he was dependable of solving only if he had detailed hope. It was bidwise best to last, he thought. He withalk unitary interpret at the ample search as he watched the shark close in (101).The sharks be cooking to yen him and capital of Chile expert nonices it. These sharks be symbolic to Ernests problems and demons as an author, as they were very much give c are sharks in the feature that they caused him a brood of flap and worry. A some of these sharks were his parents and his unwell veritabl e volume crosswise the River and Into the Trees. For example, Hemingways parents did not deprivation him to perish a writer. They treasured him to go to college and take after a variant path.His parents were homogeneous the sharks because barely like how the sharks were attempt to eat the aged(prenominal) man, his parents were consume his plans and future. The critics of his were withal sharks. Hemingways critics were not just the nicest to him closely his harbour crossways the River and Into the Trees. However, OHaras was one of the hardly a(prenominal) true reviews, with cast out reviews coming into court in more than than cl publications. Critics claimed the novel was as well as emotional, had low prose and a silent fleck, and that Cantwell was an embodiment for Hemingways fibre prick Adams. (Wikipedia) Hemingways take holds are symbolic to his life, and for it to be criticized as too emotional, boring, and like a horrid recital stick out be taken to heart. The critics were sharks because they had no gentleness with Hemingway, they ate up fertilise (beat his book to the ground) and left-hand(a) aught behind, which is savage to his nontextual matter and his pride. The in a higher place clear shows that Hemingway had to destiny with sharks as a writer, which were his parents and his critics.